Monday, August 17, 2015

Summer Reading


reading a book set in Michigan while in Michigan

This is a partial summer reading list, which appeared in slightly different form on Roy Christopher's always excellent Summer Reading post, and with one addition:

Alphonso Lingis’s book Trust (University of Minnesota Press, 2004) is a fascinating blend of travel writing, philosophy, and what keen David Foster Wallace scholars might identify as a prose experiment in 'the new sincerity'. It is the kind of book that makes one want to write, and also to observe—and how to balance these impulses becomes a dynamic puzzle, a puzzle the book both solves while also flinging all the pieces at the reader.
I was won over by Sarah Manguso’s Ongoingness: The End of a Diary (Graywolf, 2015), a book that makes the reader question the very premises of the book while persevering and following through to its satisfying conclusion. It is a book that accepts a certain constraint, and stays true to it—and the result is at turns utterly galling and totally admirable. In the end, Manguso throws down a gauntlet for any would-be diarist or journal keeper (really, any ‘author’!): it is a standard of unsettledness, a zombie aspiration for real-time writing.
Joanna Walsh’s forthcoming Hotel (Bloomsbury, 2015) in the Object Lessons series is a daring act of textual lingering, a vivid mashup of object-oriented thinking and psychoanalytic inquiry. When I first read Walsh’s manuscript I was stunned by its intensity and attentiveness—her book opens up whole new fields of thought and imagination for how a seemingly non-discrete ‘object’ might be accounted for, assembled, and written into. I could go on and on about each of the six Object Lessons books coming out this September, but, moving on…
Emily St. John Mandel's Station Eleven (Penguin, 2015) is such a wonderful post-apocalyptic novel that it immediately replaced Cormac McCarthy's The Road on my 20th-century American Fiction syllabus (we end with books in/about the present moment). One of the things critical things that Mandel's novel has that McCarthy forgot to include is his ruined landscape is...an airport.
Finally, Margret Grebowicz’s excellent The National Park to Come (Stanford Briefs, 2015) blew me away. It is a deft articulation and extension of current eco-theory, breaking new ground, as it were, while recognizing the very fraught terms of ‘breaking’, ‘ground’, and other such naturalized metaphors. The book is framed by a personal narrative, which at once complicates and gives passionate nuance to Grebowicz’s project.

Thursday, August 13, 2015

Ends of Things

film equipment for The End of the Tour at the Muskegon Airport in Michigan

I wrote about the film The End of the Tour for 3:AM Magazine.

I can't tell if the current hype around David Foster Wallace—spurred on by the film and countless reviews and paratextual essays—is a watershed moment, or the end of something.

"The End of Something" is a weird little breakup story by Hemingway that takes place in northern Michigan. As I work on my new book about Michigan, I keep bumping into Hemingway's descriptions of the region, and I'm trying to use this proximity in unexpected ways.

The End of Airports is at the press! I'm eager to hold this book, as it really does feel like the end of an era, the end of my writing about airports (okay, probably not).


Meanwhile, the next six Object Lessons books are about to be published!


I'm very happy with how this particular batch of books turned out, and also excited to teach a class at Loyola this coming semester that considers the intellectual background of the series as well as some of the books themselves. We'll start with Jane Bennett's Vibrant Matter and Ian Bogost's Alien Phenomenology, and go from there...